Roy Andersson

I have a Swedish friend who can say Roy Andersson’s name the way it was meant to be pronounced. It sounds really cool. The Swedish language, in general, sounds very cool, don’t you think? If you agree, that would be one reason why you might enjoy Roy Andersson’s films.

Other reasons would include: the way his work is like visual poetry, laden with metaphors and rhyme and rhythm; his beautifully stark sets, which, through their ceramic-and-cement coldness speak of the human yearning for warmth; his dark humour; how the pallor of death that stains the faces of all his characters contrast against how painfully alive they are, how his vignettes say so little and so much at the same time.

You just have to watch his films to understand it.

Here is a trailer for his film Songs from the Second Floor.

And here are a bunch of commercials that he directed. He was a commercial director first before becoming a filmmaker. Ingmar Bergman once called him the best commercial director in the world. (My favourite’s the last one, the one for the Social Democrat party.)

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